2019
  • Words for the Wild, January 2019.
  • The Moth, January 2019.
  • Academy of the Heart and Mind, February 2019.
  • Shortlisted for The Poems for Home Poetry Prize, February 2019.
  • Longlisted for The Plough Poetry Prize, February 2019.
  • The Cannon’s Mouth, March 2019.
  • Poetry Ireland Review, March 2019.
  • Foliate Oak, March 2019.
  • Ghost City Review, March 2019.
  • The Poetry Village, March 2019.
  • Acumen, April 2019.
  • The Fortnightly Review, April 2019.
  • The Gentian, April 2019.
  • Forgotten North Stories, April 2019.
  • Forestry England's Tributes to Trees Gallery, May 2019.
  • aAh! Magazine, May 2019.
  • Longlisted for The Brotherton Poetry Prize, June 2019.
  • Here Comes Everyone, June 2019.
  • Places of Poetry at Exeter University, June 2019.
  • PUSH by The Writing Squad, June 2019.
  • MIR Online, June 2019.
2018
  • Shortlisted in The Erskine J. Poetry Prize, January 2018.
  • Commended in The Gregory O’Donoghue Prize, January 2018.
  • The Writers’ Café Magazine, February 2018.
  • Crossways Magazine, February 2018.
  • First place in The Highland Park Poetry Competition, February 2018.
  • Commendation from The Poetry Society, February 2018.
  • Burning House Press, March 2018.
  • Scintilla: The Journal of the Henry Vaughan Association, March 2018.
  • The Fortnightly Review, March 2018.
  • SMOKE Magazine, March 2018.
  • Whiskey Island, March 2018.
  • Commended in The Prole Laureate Competition, March 2018.
  • Dwell Time: Reflections on Mental Wellbeing, April 2018.
  • Carillon Magazine, April 2018.
  • The Proverse Poetry Prize Anthology, April 2018.
  • Third place in The Bristol Poetry Prize, April 2018.
  • Second place in The Poetry Matters Competition, April 2018.
  • First place in The Mother’s Milk Books Writing Prize, April 2018.
  • Sentinel Literary Quarterly, April 2018.
  • First place in The Maria Edgeworth Poetry Prize, May 2018.
  • ArtSwarm, May 2018.
  • The Fortnightly Review, May 2018.
  • Commended in The Red Shed Open Poetry Competition, May 2018.
  • Rascal Journal, May 2018.
  • Academy of the Heart and Mind, May 2018.
  • Corvus Review, May 2018.
  • L’Ephemere Review, May 2018.
  • Nearlyology, June 2018.
  • Cauldron Anthology, June 2018.
  • PUSH by The Writing Squad, June 2018.
  • Commended in The International Welsh Poetry Competition, June 2018.
  • Ink Pantry, June 2018.
  • The High Window, June 2018.
  • Agenda, June 2018.
  • TS Poetry Press, June 2018.
  • The Ideate Review, August 2018.
  • Crossways, August 2018.
  • Marble Poetry, August 2018.
  • Acumen, September 2018.
  • The Journal, September 2018.
  • Foxtrot Uniform, September 2018.
  • Coast to Coast to Coast, September 2018.
  • Ink, Sweat and Tears, September 2018.
  • Wake Up Screaming, October 2018.
  • The Writers’ Café Magazine, October 2018.
  • Tales from the Forest, November 2018.
  • Academy of the Heart and Mind, November 2018.
  • Word Life, November 2018.
  • Lollipop, November 2018.
  • Minerva Rising, November 2018.
  • Finalist in The Aesthetica Creative Writing Award, November 2018.
  • The Aesthetica Creative Writing Anthology, November 2018.
  • The Projectionist’s Playground, December 2018.
  • Nominated for The Pushcart Prize, December 2018.
  • Vamp Cat Magazine, December 2018.
  • Words for the Wild, December 2018.
2017
  • Nominated for The Pushcart Prize, October 2017.
  • Envoi Magazine by Cinnamon Press, October 2017.
  • The Ham Free Press, October 2017.
  • The Corrugated Wave, October 2017.
  • Longlisted for The Poetry School’s Primers Award, October 2017.
  • Open: Journal of Arts and Letters, October 2017.
  • Shortlisted in The Hysteria Writing Competition, October 2017.
  • The Chaffin Journal at Eastern Kentucky University, October 2017.
  • Shortlisted in The Oxford Brookes International Poetry Competition judged by Helen Mort, October 2017.
  • The Poetry Business Book of New Poets, October 2017.
  • The Beehive Poets’ Anthology, September 2017.
  • COUNTERCLOCK Lit, September 2017.
  • Lonesome October Lit, September 2017.
  • Here Comes Everyone by Silhouette Press, September 2017.
  • Riggwelter Press, August 2017.
  • Hypnopomp Magazine, August 2017.
  • Top of the Readers’ Votes: Reach Magazine, August 2017.
  • Orbis, August 2017.
  • Winning poem in The A3 Review, July 2017.
  • Eye Flash Poetry, July 2017.
  • The Molotov Cocktail, July 2017.
  • The Word for Moving Clouds by Currock Press, July 2017.
  • Poetry Salzburg Review at The University of Salzburg, June 2017.
  • Dream Catcher, May 2017.
  • Algebra of Owls, May 2017.
  • Prole, May 2017.
  • Shortlisted for a Charter-Oak Award for Best Historical Fiction, April 2017.
  • Alternating Current, April 2017.
  • The Interpreter’s House, April 2017.
  • Carillon Magazine, March 2017.
  • The Journal, March 2017.
  • The Yorker, February 2017.
  • Seamus Heaney’s Agenda Journal, February 2017.
  • The Black Light Engine Room, February 2017.
Pre-2017
  • The Yorker, July 2016.
  • Winner of The University of York’s Media Award, June 2016.
  • Shortlisted for The Red Shed Open Poetry Competition, May 2016.
  • The Looking Glass Anthology, May 2015.
  • Shortlisted for The Red Shed Open Poetry Competition, May 2015.
  • Now Then Magazine, April 2014.
  • Shortlisted for The Foyle Young Poets of the Year Award, October 2013.
  • Shortlisted for The Foyle Young Poets of the Year Award, October 2012.
  • Winner of The Red Shed Open Poetry Competition, May 2011.